Quid Magazine Arte Contemporanea | 2016
Quid Magazine Arte Contemporanea | 26 ottobre 2016 | Intervista a Rebecca Russo
L’Arte Contemporanea e’ l’arte che esprime i bisogni primari e anticipa il futuro creando profezie.
The BMW Art Guide by Independent Collectors 2016
The Videoinsight® Collection is part of the BMW Art Guide by Independent Collectors 2016.
It includes 256 publically accessible private collections and offers a full spectrum of the contemporary Art World.
The Fourth Edition – printed and digital – of the BMW Art Guide by Independent Collectors is available.
The Videoinsight® Method by Rebecca Russo
Welcome to the Videoinsight® Foundation!
Don’t Dream It. Be It. Welcome to the Videoinsight® Foundation!
Maria Jose’ Arjona | Artissima 2016
Prestige Magazine 2016
LES PHOTAUMNALES 2016
LES PHOTAUMNALES 2016
‘Love Stories’
13ème edition BEAUVAIS Picardie France
Le Quadrilatere | Galerie Nationale de la Tapisserie
October 8 2016 | January 1 2017
Codirection artistique:
Fred Boucher et Adriana Wattel
Curators: Paul Ardenne et Barbara Polla
Artists: Janet Biggs | Morgane Callegari | Henri Cartier- Bresson |
Enna Chaton | Mat Collishaw | Iris Crey | Alix Delmas | Aurélie Dubois | Mounir Fatmi | Shaun Gladwell | Lauren Fleishman | Dana et Sandra Hoey | Ali Kazma | Adriana Lestido | Tuomo Manninen | Robert Montgomery | Gianni Motti | Mads Nissen | Anders Petersen |
Pierre et Gilles | Gérard Rancinan | Kiah Readding et Pamela Arce | Olivier Rebufa |
Rebecca Russo et Georges H. Rabbath |
Andres Serrano | Tejal Shah | Malick Sidibe’ | Mathilde Troussard | Joel-Peter Witkin
Rebecca Russo et Georges H. Rabbath I woke up in Beirut 2015
Collectors 3 Magazine
Pau Golano’ | RISO Palermo | 2016
Palazzo Gondi |Firenze
29 September 2016
Palazzo Gondi | Florence
‘Paradise’
by Videoinsight® Foundation
Videoworks from Videoinsight® Collection
Palazzo Gondi , one of the most elegant patrician palaces of the 15th century, stands on the corner of Via dei Gondi and Piazza San Firenze. The sober stone facade rises majestically, gradually passing from the projecting rustication in finely worked stone on the ground floor to the checkerboard stonework in lower relief on the first floor, to the smooth ashlars of the top floor. In its gradual transition from projecting to smooth stonework, the facade recalls that of Palazzo Medici Riccardi, built almost fifty years earlier. In its ground-floor revetment of finely worked rounded blocks instead of the rough-hewn ashlars of Palazzo Medici Riccardi, it resembles instead the contemporary Palazzo Strozzi, situated nearby. Work on Giuliano Gondi’s Palace began in 1489, to the design of Giuliano da Sangallo, and inaugurated in June of 1495 by the Duke of Urbino, during a visit to Florence. In 1600, the beautiful fountain in the courtyard was added. In the 18th and early 19th century, various restoration and embellishment projects were implemented to adapt some of the rooms to the taste of the time. In the 1870s the City of Florence decided to widen the street that passed between Palazzo Gondi and Palazzo Vecchio, and the architect Poggi was chosen to direct the work. Poggi demolished an old palace also owned by the Gondi family, which was contiguous with the one designed by Sangallo, and widened the building,completing the facade overlooking Via dei Gondi as well.
Art Territory Collectors Magazine N.3
June 2016
Art Territory Collectors Magazine N.III Baltic, Russian and Scandinavian Interview with Rebecca Russo
Cover: Ewa Juszkiewicz ‘Untitled’ (after Elisabeth-Louise Vigée-Le Brun) 2015 Rebecca Russo/ Videoinsight® Collection
